Archive for Gilles Deleuze

Orgasms Without Organs

Posted in Posthuman Perversion with tags , , , , , , , , , , , on November 11, 2008 by Bonni Rambatan
Exiting the Orgasmatron from the 1973 movie Sleeper

Exiting the Orgasmatron (from Sleeper)

Today we are more and more familiar with the idea that someday we will have fully efficient and working orgasm pills and buttons. The common idea is that by knowing how long the pill’s effect would take to kick in, we can predict our actions before hand, make it synchronous with our activities, we will not have to fake it, etc. And of course there is the idea of the orgasmatron with which we can reach orgasm any time we want — by electronically stimulating parts of the lower spinal column, etc. — the idea being that we can easily get out from our daily boredom and use it in the office while nobody’s looking, and so on. Pleasure has never been entirely mechanized.

Is it just another mode of masturbation, simply another step after we have all those increasingly intelligent fucking machines and interactive teledildonics? There is a crucial difference we must not miss: in masturbation, fucking machines, and teledildonics, our focus is still very much the traditional notion of sex as the “carnal” pleasure. We need sensual touches. One may even say that the entire point of this kind of “roboeroticism” is not orgasm in itself, but the entire fantastic experience with all the thrills of fucking with machine others.

In the instant orgasm technologies, the perception is rather different. Sex is no longer taken as the carnal-sensual pleasure, but reduced to merely this “objective” electro-chemical neurophysiological process. Is it not the same drive that brought us the human genome project? The pervasive idea is that we can always map everything into informational patterns. Is not the fully mapped human genome of myself, one that successfully maps my every little trait, my “objective” Self without Body nor Organs? It is not the Freudian organs, for, strictly speaking, it is not our body but its data. And, obviously, it in itself lacks the Deleuzian Body, for those data in the computer are real, objective, self-contained. But objectively, it is nonetheless my self, in so far as I am conceived to be an informational biological data pattern for the android Other — the self as data-organs.

This (mis)conception of the self as fully integratable in the Symbolic with current posthuman technologies has given rise to a new discourse of sexuality — a fetishistic sexual kernel based on objective, exact scientific mappings and definitions of pleasure itself.

The Lacanian definition of sex is obviously its exact opposite — it is not a discursive construct (as Foucault would put it), but it is the domain where discursive constructs fail, and as such, gives rise to the metonymic chain of desire. Is data-organs a better discourse for sexuality? The posthuman construct of orgasm without organs, orgasm as a series of mappable electro-chemical informational patterns, orgasm in the domain of data-organs, may be merely a new fetishistic obsession of our posthuman sexuality. But with all its new mode of signification and experience, let us not underestimate its potentials to proliferate new desires of the cyborg subject.

And let us not forget its obscene unfortunate superegotistical consequences — it is now effortless, so there is no longer any reason for you not to enjoy it!

The Monitor and the Screen: Lacan and Deleuze on the Cyborg

Posted in Postmodern 2.0 with tags , , , , , , , , , , , on June 26, 2008 by Bonni Rambatan

In my media studies, I tend to make quite a strong distinction between monitor and screen. The screen implies a cinematic experience, an experience of an observer fluid in embodiment but not in control of that embodiment, in the sense that we cannot choose whose gaze we are to adopt next. The (computer) monitor, on the other hand, implies choice in part of the observer. The gaze returned from the monitor is not only a gaze of the other as in cinema (read Slavoj Žižek’s film studies), but also a gaze of oneself through a kind of a mirror — an evolved mirror of the 21st century, as when one photographs oneself through web cams. However, again as with web cams, and with game avatars, etc, it is a strange mirror — one in which one’s reflection never returns the gaze, making one both a master and a slave of the Imaginary, a subject both perverse and divine.

Friedrich Kittler has observed the evolution of discourse networks and its relation to embodied action (see his essays on the typewriter). Katherine Hayles has also extrapolated media and information theories and theorized her flickering signifier concept. I would claim that a lot of this change come from our experience and interaction with the monitor as such, for, with Lacan, it is the primal misrecognition with the signifier of the self that generates a desiring decentered subject. Thus, I extrapolate from here the Lacanian mirror phase to include a second mirror phase, one I call the monitor phase.

Gilles Deleuze stated that the body is an avatar of the soul — does the very word he chose not ring very familiar in this Postmodern 2.0 society? Further along the Deleuzian line, I would claim that his perception of desiring-production is more relevant today than ever, where the de- and reterritorializations happen more in the realm of the virtual than the physical and the semiotic logic requires a computer/informational layer/s to be taken into mind. All in all, Body-without-Organs dynamics in the Web 2.0 sphere has to be interrogated more critically so as to better understand the workings of a (still?) schizophrenic system of digital capitalism. I would however reject the pseudo-Deleuzian notion that positions him as a prophet of an all-too-permissive capitalism in the name of multitude and so on, and instead would lean more towards his more (in the words of Žižek) “Guattarised” theories to engage in a politically-urgent dissection of digital capitalism.

I am planning to develop several theses on this extrapolation of Lacanian and Deleuzian concepts that take into mind a cyborg subject with posthuman subjectivity, and in turn should show why this gesture is, as I have always claimed, politically urgent. I would inform you when I get them out, but for now, feel free to comment and discuss.