Archive for perversion

Semen Cookbook and the Symptom of Political Correctness

Posted in Posthuman Perversion with tags , , , , on November 23, 2008 by Bonni Rambatan

I guess I will continue this month to talk about the meaning of life qua posthuman, that spans already over several categories, posted here and here. What I am going to talk about this time may bring either a “WTF!?” laughter or a lost lunch, or perhaps an erection and appetite gain, depending on your taste. As for myself, I had a shock when I came across this news this afternoon:

Natural Harvest - A Collection of Semen-Based Recipes

If you ever feel like eating cum.

Yes, this picture is the front cover of a real cookbook, which you can buy here. Be sure to read the comments.

So, what are we to think of future food ingredients? Meat grown in labs on one hand and freshly ejaculated semen on the other? Of course, pardon the bad taste and a seriously disgusting joke for most of us. But I asked the question to point to a more serious question; the fact we should address is a much more fundamental one.

The activity of eating, of course, does not happen only at the biological level of need — it works as well on the Symbolic order; we only need to recall animal sacrifice rituals and eating taboos for proof. So, the main question we should ask would be: how is this event possible at all? What are our coordinates of the Symbolic today, in regards to our notion of the self and the meal, that enable this transformation? Of course, beside taste, there is all the defense that semen contains a lot of protein, etc. But the taboo, the disgust, of course, lie in the fact that semen is is a product of a human being. Is eating it not a form of cannibalism, then? Of course, I am here not talking about the sexual context since people do it all the time in sex. But the fact of someone making an entire cookbook out of it proves that semen-eating has taken on a totally different discourse.

How does this shift happen? I think it has a lot to do with our image of the human today. Are we not, practically, with all the information saturation in the media, becoming more and more a being of tolerance and multiplicity rather than a being of flesh? Is it so wrong to eat something we produce ourselves, when we do it already all the time in sex? Is there an objective negative answer to this in the coordinates of our expected ethical stance today? The radical transformation of the state of science and political correctness, our disintegrating coordinates of nature and culture, are all crystallized into a symptom of perversion: the semen cookbook.

There are a couple of curious things to take note of. First, in the book, the entire notion of semen is already radically desexualized, made into a positive fact rather than an embarrassing secret. The injunction behind this is the same as the one driving all the porn-positive and sex-positive arguments: the imperative to make more mainstream a previously deviant idea. The second is how, in the comments, people relate this phenomenon to the “crisis” and the “love for nature”. This book is all the politically correct ideas crystallized into one — what could be a better political correctness than letting a group of energy-saving, nature-loving, sex-positive minorities have their say in the wider world?

Thus, the cookbook is not simply a disgusting artifact, a deviance of culture, a perverted idea of a bunch of sick people. It is rather the opposite: the semen-based recipe cookbook is our politically correct, nature-confused culture at its most elementary.

NOTE: via Digg, the submitter says, “WHAT THE F**K!! THAT’S F**KING DISGUSTING!!” — I say, “Isn’t that what they said about anal sex several years back?”

Pornography Between Pedophilia and Rape

Posted in Posthuman Perversion with tags , , , , , , , , , , on October 24, 2008 by Bonni Rambatan
Airi and Meiri, Japanese pornstar twins famous for their underage look.

Airi and Meiri, Japanese legal pornstar twins famous for their deceivingly underage appeal.

Is it possible that the ban against child pornography condones violent, aggressive, and degrading behavior towards women? Surprising as this may seem, the answer may be a resounding yes.

I have never met anybody in my entire country who is as libertarian, porn-loving, and sexually-positive as myself. That being said, one may find it hard that there are some aspects of pornography that I do not agree with. For one usually accuses me of being incredibly libertarian — so libertarian, in fact, that I am ready to challenge the ban against child pornography.

Don’t get me wrong. Of course, by all means I am against pedophilia. I am even ready to go as far as supporting death penalties for sexual assaults towards children. What I challenge in the ban against child pornography is instead its disuse of logic: are we not today, practically, taking the flimsy age line of 18 to decide whether we can enjoy sex or not? Of course, there are all the standard claims: there is logic behind this, it has been deeply researched, and whatnot, but is it not rather more true that we are taking this rule more as a take-it-for-granted societal taboo which does not necessitate logical reasoning? Is it not rather a rule we follow almost religiously and unquestionably in this so-called age of sexual freedom?

Disuse of logic is always harmful. Its apparent protection always serves more as a symbolic gesture with nothing more than structural usages that we do not like to admit or question — more like a neurotic symptom than clear thinking. Furthermore, as the Lacanian lesson, the fundamental promise of the law is not one that bans but one that allows (“If God exists, everything is permitted!”). What, then, does the ban against child pornography allow?

There is no better site to illustrate this than the famous (totally NSFW) website, who picture dozens of 18-year-old girls in all sorts of possible sexual degradation imaginable. The tagline says it all — “Teen initiations into porn,” and later, “by having the roughest sex they will ever have.” Another basic question gonzo pornographers today ask is of course the obvious one that tries to figure out how many dicks can go down a woman’s body at a single time, or how to make the next innovation after some hundred continuous insertions (with penises as well as bizarre foreign objects), or several dozen creampies by several dozen men — basically, how to do a better obscenely degrading circus act.

What does this have to do with the ban against child pornography? As the above mentioned website suggests, the ban does not at all say, “Do not harm children and teenagers under 18 since they are too fragile!” Instead, it promises, “Let us make a deal and pretend that we are good people who care about children, and in return you are allowed to degrade and be violent towards women over 18 in any way you like!” Is this not why child pornography is elevated as the ultimate crime in the Western culture today: because we want to continue degrading women, but we disturbingly need to continue to pretend to be an innocent nation with this flimsy, almost religious number of 18?

Canon Sensei Tobashisugi (probably NSFW)

Canon Sensei Tobashisugi (probably NSFW)

There is a porn sphere in which child pornography is highly popular and tolerated: hentai. Some hentai (from games to anime to manga) are satisfied with portraying underage-looking characters (as most of the live pornography), but some, such as Gorgeous Takarada’s Canon Sensei Tobashisugi (cover pictured right) are ready to go as far as to explicitly state that the age of the main girl character is as young as 12. (Perhaps unsurprisingly, hentai tolerates so much more of what the West — fetishist long tail notwithstanding — does not, such as incest and love). What do statistics say about the rates of rape in such free nation? Well, Japan has 20 times less rape than does the United States.

The ban against child pornography has always been a very suspicious one, but it is almost a sacred taboo today that very few dare to question it. Of course, it may be structurally impossible to live in a society without taboo, as Freud was already well aware. But when we feel better about seeing a 21-year-old getting force-penetrated by six dicks in a double-anal, double-vaginal, and double-oral scene (not to mention the bukkake and forced semen-swallow afterwards) than a 15-year-old having sex lovingly with her partner, we clearly have something wrong in our sexual libertinism. Perhaps we are censoring the wrong things for the wrong reasons.

Hentai and the Perverse Core of Japanese Censorship

Posted in Pop Culture with tags , , , , , , , , , , , on October 19, 2008 by Bonni Rambatan
Hentai Manga by Fuuga Utsura in TSK

Hentai Manga by Fuuga Utsura in TSK

The Japanese law of censorship has always been a source of fascination to us porn researchers. Clearly, it does not in the least prevent the Japs to be perverts (but by all means I have no Illusions; I am not doing cheap stereotyping to the Japanese since it just applies to those few, most of which I love). One may even say that it takes Japanese porn producers to create such things as zenra Kung Fu (probably NSFW) or the seemingly mechanistic orgy of the famous 500 People Sex (totally NSFW) video.

Some people have discussed how the censorship law of not allowing the genitalia to be completely shown gives birth to such things as tentacle hentai. Although further research show that the Japanese have been making tentacle hentai as early as 1820, I would claim that this thesis is not totally wrong. Rather, however, I prefer to read it in the opposite direction: the Japanese have long realized that the phallus could not be adequately symbolized by the genitals alone, so fully showing the genitals would paradoxically reduce the sexuality of sex itself (recalling the Baudrillardian desperation). Is this not the reason many US porn filmmakers today are urged to learn from their Japanese counterparts how to film the non-genital, non-breast parts (lips, hair, back, etc.) in a way not less titillating?

Among the most interesting appropriation of Japanese censorship could be found in hentai manga. The censors are very scanty to such extent that it seems insignificant, only in the form of lines hiding virtually nothing. What catches my attention in particular is how the very texture of the censors above the genitals literally seem to function more to cross out rather than cover up — instead of covered because of some taboo, the genitals are barred, as it were, to prevent them from becoming full signifiers of the phallus.

The Japanese censorship law is already in itself a promise to enable this crossing-out of the real genitals in order to strengthen the imaginary phallus. The law does not at all say, ” You can draw anything but the genitalia because it is harmful!” Instead, it serves as a reminder, “Remember that your sexual potency is much larger than what it looks outside, do not fall into the illusion that the penis is all there is!” The crossing-out of real genitals thus paradoxically strengthens the imaginary phallus. The perverse censorship law does not castrate — it performs merely privation, thus putting pornographic art into the realm of pure fantasy in which castration does not happen (which is why underage-looking porn, rape, and incest is all the more popular theme in hentai manga).

Properly speaking, this makes hentai essentially a psychosis. For its Western counterpart, on the other hand, castration is implied and acknowledged but at the same time denied, making pornographic art in the West essentially a perversion. Literary work as a substitute of psychosis is of course the themes of Lacan’s later works of the Joycean sinthome (analogies can also be drawn between the unfamiliarity of Joycean writing to the more common writing and the strangeness of Japanese fetishes to the more common sexualities for the West), which thus makes it possible to claim that it pornography plays a crucial role in the psychosexual development of the Japanese society, which has family practices rather uncommon to their Western counterparts (the routine of bathing together, etc.). But as for a detailed analysis, I have not yet made it, and so for now I will say that this Japanese-versus-US sexuality difference idea is still questionable.

Another interesting point to note if we are to discuss hentai manga (and, in fact, manga in general) is how highly it treats the object little a, as proven by their extensive use in abstract forms to symbolize the gaze, the voice, the breasts, and the bodily fluids. Perhaps it is only by crossing-out of the genitalia, by putting bars over the real phallus, that Japanese hentai artists (and pornographers alike) can avoid falling into the trap of fetishizing the biological genitals, as the majority of Western pornographers do, and explore more on how to capture the object a in its visualizations. But on the other hand, however, this is also why the fetishistic tendencies of Japanese porn can easily fall into other, often more bizarre objects and situations.

Stupidity and Perversion

Posted in Pop Culture with tags , , , , , , , , , on August 13, 2008 by Bonni Rambatan

Quite a while back I watched the documentary Stupidity, which got me thinking again about the issue. While I don’t disagree that we generally like to see stupid people to make ourselves feel smarter, I like to be more critical — many smart people that I know nevertheless love seeing stupid YouTube videos even if they do not need further evidence that they’re a smart person. Sheer stupidity is essentially funny by definition, which is why we love them. But if we are to recall the basic formula of comedies, even since the time of Aristophanes, the funny part consist mainly of ridiculous plots, exaggerations, and sexual references (including the humongous fake penises strapped to the actors — apparently dick jokes have been around since the very start of jokes). In fact, what constitute humor is essentially ridiculous proportions, not so much a stupid mind. To take on Freudian definitions, these ill-proportions, be it of acts or in images, is always a symptom, a return of the repressed.

And as societies grow, societal symptoms change: in recent times there have been twists to humor and stupidity — it has taken on the realm of challenge, with youth exposing their tongue to electricity in MTV reality shows, and the realm of child gore, as the Happy Tree Friends (another MTV production) and Suicidal Squirrels webisodes prove. On the other hand fetishes are abound, as we are increasingly told to do wilder sex, with all those unfortunate anal beads and safe gag balls. As anyone who has ever tried out a weird sex stunt for the first time knows, let’s admit it, there is always a kind of stupid feeling inside. Then there are shock sites such as the infamous 2girls1cup, or the more recent idiotic stunt of cake farts, that people tend to watch just for the sake of the thrill. While all these need more analysis, suffice it to say for now that stupid humor is always connected with the death drive.

As I have mentioned before, the predominant way of handling the drive in the contemporary era, the predominant structure of society, is perversion. By this, we are disavowing the fact that we live in a “postmodern” world of total contingency, but secretly fearing that what we actually still secretly believe may really be true (“afraid to believe,” as Žižek put it).

The desire to watch stupidity is fundamentally a perverse one precisely because in doing so one turns oneself into an instrument of the other’s desire: stupidity only realizes itself fully under our gaze, a collective (televisional) gaze which is also ours — trip on a bucket alone in the house, and it won’t be funny, but do it in a mall, it would be hilarious. And there are also stupid acts that are only stupid when it is seen — try picking your nose and have a crowd accidentally spot you. As such, stupidity as a spectacle realizes the full element of its transgression: by watching the other’s stupid acts, we help the other to sin (and as we know, the sin is closely related to jouissance). Thus, do we, as reifications of our gaze, not take on the primary function of the pervert, by acting as an instrument of the other’s jouissance?